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Andrea Appiani
Andrea Appiani (May 31, 1754 – November 8, 1817) was an Italian neoclassical painter. He was born in Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723–1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan and almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime. Among the most graceful of his oil paintings are his Venus and Love, and Rinaldo in the garden of Armida. He is known as "the elder", to distinguish him from his great-nephew Andrea Appiani, an historical painter at Rome. Other painters of the same name were Niccolò Appiani and Francesco Appiani. He died at Milan in 1817. Among his pupils are Antonio De Antoni, Carlo Prajer, Angelo Monticelli, and Giuseppe Bossi.
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Abstract抽象
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Architecture建筑
Black art暗黑艺术
Christianity基督教
Fantasy & Mythology神秘奇幻
Figure & Portrait人物
Floral & Vase花卉
Food & Fruit食物水果
Garden & Country花园乡村小屋
Indoor室内
Landscape风景
Military & War战争
Music & Dancer音乐舞蹈
Paintings of Paintings画中有画
Palace(宫廷）
Plant & Botanical绿植
Pop Art & Vintage波普仿古
Religion & Philosophy宗教哲学
Sculpture & Status雕像
Seascape & Stream海景水景
Sport & Game体育游戏
Still life静物
Street & Road街道
Transportation交通工具
Wild West美国西部
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Portrait of Napoleon Bonaparte as First Consul holding a sabre
Portrait of Napoleon Bonaparte as First Consul holding a sabre
Andrea Appiani
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Price: $167.61
Giulia Beccaria e suo figlio Alessandro Manzoni bambino
Giulia Beccaria e suo figlio Alessandro Manzoni bambino
Andrea Appiani
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Price: $167.36
Madame Hamelin
Madame Hamelin
Andrea Appiani
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Price: $167.42
Napoleon King of Italy
Napoleon King of Italy
Andrea Appiani
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Price: $167.42
Portrait de Claude Petiet et de ses deux fils en uniforme de l arm e imp riale
Portrait de Claude Petiet et de ses deux fils en uniforme de l arm e imp riale
Andrea Appiani
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Price: $168.06
Apotheose Napoleons
Apotheose Napoleons
Andrea Appiani
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Price: $200.36
Dipinto di Vincenzo Monti
Dipinto di Vincenzo Monti
Andrea Appiani
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Price: $167.74
Allegory on the Peace of Pressburg
Allegory on the Peace of Pressburg
Andrea Appiani
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Price: $188.60
General Desaix
General Desaix
Andrea Appiani
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Price: $167.34
Portrait Eug ne Beauharnais
Portrait Eug ne Beauharnais
Andrea Appiani
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Price: $167.42
Apollo e Giacinto
Apollo e Giacinto
Andrea Appiani
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Price: $168.22
Andrea Appiani
Andrea Appiani (May 31, 1754 – November 8, 1817) was an Italian neoclassical painter. He was born in Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723–1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan and almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime. Among the most graceful of his oil paintings are his Venus and Love, and Rinaldo in the garden of Armida. He is known as "the elder", to distinguish him from his great-nephew Andrea Appiani, an historical painter at Rome. Other painters of the same name were Niccolò Appiani and Francesco Appiani. He died at Milan in 1817. Among his pupils are Antonio De Antoni, Carlo Prajer, Angelo Monticelli, and Giuseppe Bossi.

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